Handmaid’s Tale: A gripping vision of our society radically overturned by a the
ocratic revolution, this novel has become one of the most powerful and most widely read of our time.
Offred is a Handmaid in the Republic of Gilead, serving in the household of the enigmatic Commander and his bitter wife. She may go out once a day to markets whose signs are now pictures because women are not allowed to read. She must pray that the Commander makes her pregnant, for in a time of declining birthrates, her value lies in her fertility, and failure means exile to the dangerously polluted Colonies. Offred can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name. Now she navigates the intimate secrets of those who control her every move, risking her life in breaking the rules.
Lady Oracle: Joan Foster is the bored wife of a myopic ban-the-bomber. She takes off overnight as Canada's new superpoet, pens lurid gothics on the sly, attracts a blackmailing reporter, skids cheerfully in and out of menacing plots, hair-raising traps, and passionate trysts, and lands dead and well in Terremoto, Italy. In this remarkable, poetic, and magical novel, Atwood proves yet again why she is considered to be one of the most important and accomplished writers of our time.
Moral Disorder: Stories: This collection of short stories follows the life of a single character, seen as a girl growing up the 1930s, a young woman in the '50s and '60s, and, in the present day, half of a couple, no longer young, reflecting on the new state of the world. Each story focuses on the ways relationships transform a character’s life: a woman’s complex love for a married man, the grief upon the death of parents and the joy with the birth of children, the realization of what growing old with someone you love really means. By turns funny, lyrical, incisive, earthy, shocking, and deeply personal.
Murder in the Dark: Short Fictions and Prose Poems: These short fictions and prose poems are beautifully bizarre: bread can no longer be thought of as wholesome comforting loaves; a poisonous brew is concocted by cynical five year olds; and knowing when to stop is of deadly importance in a game of Murder in the Dark.
Negotiating With the Dead: A Writer on Writing: What do we mean when we say that someone is a writer? Is he or she an entertainer? A high priest of the god Art? An improver of readers’ minds and morals? And who, for that matter, are these mysterious readers? In this wise and irresistibly quotable book, one of the most intelligent writers now working in English addresses the riddle of her art: why people pursue it, how they view their calling, and what bargains they make with their audience, both real and imagined.
To these fascinating issues, Atwood brings a candid appraisal of her own experience as well as a breadth of reading that encompasses everything from Dante to Elmore Leonard. An ambitious artistic inquiry conducted with unpretentiousness and charm,
Negotiating with the Dead is an unprecedented insider’s view of the writer’s universe.
Robber Bride: Inspired by "The Robber Bridegroom," a wonderfully grisly tale from the Brothers Grimm in which an evil groom lures three maidens into his lair and devours them, one by one. In her version, Atwood recasts the monster as Zenia, a villainess of demonic proportions, and sets her loose in the lives of three friends, Tony, Charis, and Roz. All three "have lost men, spirit, money, and time to their old college acquaintance, Zenia. At various times, and in various emotional disguises, Zenia has insinuated her way into their lives and practically demolished them.
Selected Poems II: Poems Selected and New 1976-1986: Celebrated as a major novelist throughout the English-speaking world, Atwood has also written several volumes of poetry. This book features her poetry from 1976 through 1986.
Surfacing: Part detective novel, part psychological thriller,
Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices.
The Tent: Here, Atwood pushes form once again, with meditations on warlords, pet heaven, and aging homemakers. She gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; and examines the boons and banes of orphanhood. Accompanied by her own playful illustrations, Atwood’s droll humor and keen insight make each piece full of clarity and grace. Prescient and personal, delectable and tart,
The Tent reflects one of our wittiest authors at her best.
Wilderness Tips: In each of these tales, Atwood deftly illuminates the single instant that sha
pes a whole life: in a few brief pages, we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age. By superimposing the past on the present, Atwood paints interior landscapes shaped by time, regret, and life's lost chances, endowing even the banal with a sense of mystery. Richly layered and disturbing, poignant at times and scathingly witty at others, the stories in
Wilderness Tips take us into the strange and secret places of the heart and inform the familiar world in which we live with truths that cut to the bone.
As always, if the book you are looking for is currently checked out, you can put a hold on it so when it does become available, you will be notified.
Enjoy!