Friday, October 28, 2011

CQL Presents: Highlights from the Southwest Rare Books Collection

--by Jason Macoviak
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As the oldest continuously-operating public library in Arizona, the Copper Queen Library has purposefully preserved many rare and interesting volumes from the 19th and early 20th centuries in the Rare Books Collection. This post highlights some of the titles from the Southwest portion of that collection.

Arizona Characters (By Frank Lockwood) - Published in 1928 by the Times Mirror Press in Los Angeles, this collection features a series of portraits of “masterful men who have stamped their names indelibly upon the map of Arizona.” Included are Father Kino, “Old” Bill Williams (Hunter and Trapper), Charles Poston (“The Father of Arizona”), Cochise, Henry C. Hooker (Arizona Pioneer Ranchman) and Governor Hunter (“Friend of the Common People”).

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Arizona in Literature (Mary Boyer) - Published in 1935 by the Arthur H. Clark Company in Glendale, CA, this collection boasts the best writings of Arizona authors from the early Spanish Days to the then-present. Representing more than 150 authors, of whom almost all called Arizona home, the anthology helped to preserve “much typical and interesting matter that otherwise would have sunk into oblivion” (New York Times). The anthology (compiled by Mary Boyer, an associate professor of English at the Arizona State Teachers College in Flagstaff) includes short stories, tales of adventures, novels, poetry, biography, humor, legends, songs, criticism, and Spanish translations, all of which express the spirit of the early days in the Southwest.

Arizona Place Names (Will C. Barnes) - Will Craft Barnes (1858-1937) first came to Arizona as a cavalryman and went on to become a rancher, state legislator, and conservationist. From 1905-1935, his travels throughout the state, largely on horseback, enabled him to gather the anecdotes and geographical information from “old timer, Indians, Mexicans, cowboys, sheep-herders, and historians, and any and everybody who had a story to tell.” The result is a book chock full of oddments, humor, and now-forgotten lore. Arizona Place Names was published by The University of Arizona in Tucson in 1935.

Brewery Gulch (Joe Chisholm) - Written mostly in the early ‘twenties and published in 1949 by The Naylor Company of San Antonio, TX, Brewery Gulch is a first-hand account of “the last outpost of the great Southwest.” Chisholm arrived in Bisbee in 1881, which was then considered “little more than a perch in the Apache-infested Mule Mountains, until such men as his father and John Slaughter tamed that desert wilderness.” Exciting and authentic, Chisholm’s story follows the men who poured into Tombstone and Bisbee in the 1870s, “when copper and silver meant sudden wealth, or a bad man’s bullet.”

Cactus and Pine (Sharlot Hall) - Sharlot Hall (1870-1943) was an historian, an adventurer, and a teller of tales whose stories, poems, and passion for collecting helped keep the early days of Arizona alive. In this autographed second edition of Cactus and Pine, published in 1924 by The Arizona Republican Print Shop in Phoenix, AZ, Hall presents a collection of poetry deeply rooted in her intense fascination and love for Arizona and Southwest frontier life.

Cartoon Guide Of Arizona (Reg Manning) - Born in 1905, Reg Manning moved to Phoenix, AZ in 1919 and was hired at the Arizona Republic as a photographer and artist in 1926. Although he was interested in drawing comic strips, the popularity of his editorial work led him to focus on editorial cartoons. He won the Pulitzer Prize in 1951 for his editorial cartoon entitled “Hats,” which was a commentary on the Korean War. In Cartoon Guide to Arizona, published in 1938 by J.J. Augustin in New York City, Manning combines his infamous cartooning with interesting travel facts and humor, as he takes his readers on the grand tour of the state he called home.

Cowman’s Wife (Mary Kidder Rak) - Mary Rak’s career as a ranch woman, and eventually an author, began in 1919, when she and her husband Charles purchased 22,000 acres about 50 miles north of Douglas, AZ in the Chiricahua Mountains, which came to be known as Camp Rucker. In her book, published by the Houghton Mifflin Company of Boston and New York, Mary recounts her struggle to learn the cattle business and cope with the numerous problems of life on an isolated ranch during the early days of the settlement of the American West.

Geronimo’s Story of His Life (Geronimo) - In his autobiography, Chiricahua Apache medicine man and leader Geronimo (1829-1909) tells, in his own words, his side of a long and notable controversy with the American Government. Published in 1906 with the help of President Roosevelt, the book was transcribed by author and friend, S.M. Barrett. Of his native Arizona, he said, “It is my land, my home, my fathers’ land, to which I now ask to be allowed to return. I want to spend my last days there and be buried among those mountains. If this could be, I might die in peace, feeling that my people, placed in their native homes, would increase in numbers, rather than diminish as at present, and that our name would not become extinct (p. 215).

Helldorado (Billy Breakenridge) - In his memoirs, published in 1928 by The Houghton Mifflin Company of Boston and New York, Arizona and Colorado lawman Billy Breakenridge offers cinematic images of wagon trains crossing the Great Plains, of Phoenix and Denver emerging from the dust and mud, of Tombstone blazing through the silver bonanza, and of the railroad joining East and West to change history. As deputy sheriff in early-day Tombstone, Breakenridge encountered the Earp Brothers, Doc Holliday, Bat Masterson, Luke Short, John Ringo, and Buckskin Frank Leslie.

Romantic Copper (Ira Joralemon) - Published in 1942 by the Appleton-Century Company in New York, this definitive account on the history of copper describes both the “lure” and “lore” of early mining life. Of Bisbee, he wrote, “The scum from Tombstone took the trail over Mule Pass into Bisbee. With the Mexican border only nine miles away, the hardest characters on both sides of the line made the new camp their haven. The early citizens of Bisbee were a tough lot, and they looked it.” (p. 119).

Saga of Billy the Kid (Walter Burns) - First published in 1926 by The Garden City Publishing Company of New York, this entertaining and dramatic biography forever installed outlaw Billy the Kid in the pantheon of mythic heroes from the Old West and is still considered the single-most influential portrait of the outlaw legend in this century. Describing Billy, Burns wrote, “Men speak of him with admiration; women extol his gallantry and lament his fate… the boy who never grew old has become a sort of symbol of frontier knight-errantry, a figure of eternal youth riding for ever through a purple glamour of romance.” (p. 53).

Some Strange Corners of Our County (Charles Lummis) - In 1884, Charles Lummis walked from Ohio to California to take a job as a reporter for the Los Angeles Times. A New Englander by birth, he gained a deep appreciation for both the natural beauty and cultural diversity of the Southwest, where he remained for the rest of his life. Published in 1892, Some Strange Corners of Our Country features Lummis’ prose portraits of the American West, including the Grand Canyon, of which he wrote, “Those who have long and carefully studied the Grand Canyon of the Colorado do not hesitate for a moment to pronounce it by far the most sublime of all earthly spectacles.” (p. 14).

Vanished Arizona: Recollections of my Army Life (Martha Summerhayes) - Although Martha Summerhayes’ recollections span a quarter of a century and life at a dozen Army posts, the heart of this book, published in 1908 by The Press of J.B. Lippincott Company in Philadelphia, concerns her experiences during the 1870s in Arizona, where the harsh climate and “perennial natural inconveniences from rattlesnakes to cactus thorns and white desperadoes, all made [it] a less than desirable posting for the married man and his wife.”

Friday, October 14, 2011

Carte Blanche: First and . . . Foremost?


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--by Michael Carte (first published in
Booklist, October 2011)
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“‘Hell!’ said the Duchess.”

No, this isn’t a column about what Mark Twain delicately called “the warm place,” nor is it about the landed gentry. No, it’s . . . well, let mystery novelist Agatha Christie explain:

“I believe that a well-known anecdote exists to the effect that a young writer, determined to make the commencement of his story forcible and original enough to catch the attention of the most blasé of editors, penned the following sentence: “‘Hell!’ said the Duchess.”

I don’t know about that, but I do know that a “forcible and original” first line is inarguably of paramount importance to the novelist; indeed, Christie’s explanation is the first line of her own novel Murder on the Links.

There’s no doubt that juxtaposing hell and a duchess makes for a doozy of a first line, but it’s small potatoes compared with some of the following more famous ones: “Call me Ishmael,” from Moby-Dick, or “It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife,” from Pride and Prejudice. Or howsabout “A screaming comes across the sky.” That’s from Gravity’s Rainbow.

Those are the top 3 of 100 memorable first lines conjured up by the editors of American Book Review. I’m sorry to say that only 2 of the 100 are from books for youth: number 12 is “You don’t know about me without you have read a book by the name of The Adventures of Tom Sawyer, but that ain’t no matter.” That is, of course, from The Adventures of Huckleberry Finn. Number 47 is a bit less familiar but nevertheless memorable: “There was a boy called Eustace Clarence Scrubb, and he almost deserved it.” What’s that from? No, I’m not going to tell you; search it out for yourself.

In the meantime, you’ll just have to trust me that both of these first lines came from well-established, successful writers. Ah, but what about first lines from first novels? Can you imagine the blood and tears that a tyro writer sheds in trying to think up a memorable, forcible, and original first line for his or her first effort?

Some come a cropper, of course, but others are more successful. And since this is a column for an issue with a Spotlight on First Novels, I thought I might select and share a few first lines from children’s and YA firsts.

Here’s the opener from one of the most famous children’s books of all time: “Alice was beginning to get very tired of sitting by her sister on the bank and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, and what is the use of a book, thought Alice, without pictures or conversations.” Thus beginneth Alice’s Adventures in Wonderland. Memorable, yes, but a tad long, don’t you think? But we need to cut Lewis Carroll some slack here; he was, after all, a Victorian.

How about an Edwardian, then? Here’s the first line from Kenneth Grahame’s immortal Wind in the Willows: “The mole had been working very hard all the morning, spring cleaning his little home.”

Hmmm . . . so far we have openers about books with no pictures and spring cleaning. Not exactly heart-pounding material. What about something more contemporary? Here’s one: “When Mrs. Frederick C. Little’s second son arrived, everybody noticed that he was not much bigger than a mouse.”

Now that’s a heck of a first line, Brownie. No blood and thunder but intriguing as all get out. Read it, and you can’t resist reading the second sentence. That E. B. White sure knew his apples about the first, second, and all the other lines in Stuart Little.

Here’s another from an internationally famous book: “Mr. and Mrs. Dursley, of number four, Privet Drive, were proud to say they were perfectly normal, thank you very much.” Not exactly memorable that one, though there is a subtle implication that something distinctly abnormal is going to follow. And so it did: the whole Harry Potter saga, in fact; for this first line is, indeed, from Harry Potter and the Sorcerer’s Stone.

So far we’ve focused on children’s books; what about some young-adult titles?
Here are a few of them, beginning with the two that started the genre: “When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home.” Yes, that’s from S. E. Hinton’s The Outsiders.

How about this one: “He waited on the stoop until twilight, pretending to watch the sun melt into the dirty gray Harlem sky.” If you guessed Robert Lipsyte’s The Contender, you’re right as rain.

“Now, Bix Rivers has disappeared and who do you think is going to tell his story but me?” Another intriguing first line, this one from Bruce Brooks’ The Moves Make the Man.

Here’s one from one of my all-time favorite books; I don’t have to tell you which one, since it contains one of the most famous names in all of YA literature. Here’s the sentence: “The reason Weetzie Bat hated high school was because no one understood.”

And here’s one more: “It is my first morning of high school.” If good books are supposed to capture universal experiences, this is one good book. And so it is. It’s Speak, by Laurie Halse Anderson.

So here I am at the end of the column, and I’ll bet a pin that no one has paid any more attention to it than a sleepy student in first-period Latin. Not because I’m boring. Perish the thought! But, instead, because I distracted you with that challenge to identify the book from which came the line “There was a boy called Eustace Clarence Scrubb, and he almost deserved it.” OK, OK. It’s from C. S. Lewis’ The Voyage of the Dawn Treader. Happy? Now, go back and reread the column. And pay attention this time, willya?

Michael Cart is the author of Young Adult Literature: From Romance to Realism (ALA Editions, 2010).


Thursday, October 13, 2011

31 Horror Films in 31 Days

--by Daniel Kraus (Originally published in Booklist, November 1, 2010)
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bloody-hands
They said it couldn’t be done. They said it shouldn’t be done. They called me a madman. Me! A madman! Well, I showed them madness. That’s right. I went ahead and did it. Don’t believe me? The blood’s still on my hands. Just look.

As if reading eight zillion books a month wasn’t already putting a damper on my “free time,” I decided to try to watch one horror movie a day for the entire month of October. Why did I do it? Because I tried last year and failed with the miserable total of 28. And why did I do that? Because I had the insane idea that if I forced myself to watch movies, I’d force myself to relax for a month in front of the TV, just like, you know, a normal person.


But as the deadline of October 31 loomed ever nearer, things got edgy around the homestead. “Well,” I’d say, “it’s time to watch a movie.” “But,” my wife would respond, “I don’t feel like watching a movie.” “No,” I’d reply – and here’s where my fangs would start to show – “you don’t get it. We have to.”


By the final three days, things were looking bleak — I still had eight movies to go. I wasn’t worried, though, because it was Halloween, and surely the airwaves would be clogged with nonstop horror. And then — it’s almost too horrible to talk about. It was a storm. A big storm. It roared through town and killed our satellite in cold blood. That’s right: no TV. It would take ingenuity, cunning, Netflix streaming, and — dare I say? — murder to complete my grisly goal. Was I victorious?


I’m happy(?) to announce that I did, in fact, watch 31 horror films in 31 days. And I will never do it again. Until next year, of course. When the sinister urge creeps up on me in the dead of night...
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THE MOVIES (in order viewed):

1. THE EXORCIST. Little-seen film about small child with serious skin problems.

2. PHANTASM. Groovy musicians dodge flying knife-ball to avoid being shrunk down for alien slave labor.

3. DAUGHTERS OF SATAN. Tom Selleck, apparently born with a mustache, shrugs off witchly come-ons.


4. THE HEARSE. Middle-aged woman has love affair; thus, she must be a witch!

5. JENNIFER’S BODY. Megan Fox appears on-screen in front of some movie about I don’t remember what exactly.

6. TEETH. Teen discovers she has a vagina dentata, leading to good times for everyone involved.

7. CURSE OF THE CRYING WOMAN. Rubber ghost on a pulley fails to diminish impact of awesome dungeon scenes.

8. THE BEYOND. Lengthy acid-eating-face scene surpasses lengthy tarantula-eating-face scene.

9. THE VIDEO DEAD. Zombies come out of TV to devour hilarious non-actors trying to act.

10. THE DEAD HATE THE LIVING! The movie watchers hate the filmmakers!

11. SICK GIRL. Exotic insect hiding in lovers’ bed proves more destructive than even bedbugs.

12. PSYCHOMANIA. Motorcycle gang sings folk songs while doing sweet wheelies through ancient stone circles.


13. JUST BEFORE DAWN. Group of young people go on backwoods camping trip and have a delightful time.

14. MAGIC. This just in: ventriloquist’s dummies no longer considered adorable.

15. THE PIT. Evil teddy bear instructs horny 12-year-old to feed people to prehistoric creatures. Yeah, I really wrote that.


16. THE MONSTER SQUAD. Goonies rip-off lavishes attention upon Dracula. Mummy, ignored, weeps in corner.

17. X THE UNKNOWN. Unstoppable blob is, alas, stopped.

18. HOUSE ON SORORITY ROW. Sorority girls fail to live up to sweet, sensitive reputations.

19. THE SIGNAL. Broadcast signal drives people to insanity (see: this list).

20. DARK NIGHT OF THE SCARECROW. Simpleton pitchforked, hillbillies revenged upon, audience sated.

21. FEAR[S] OF THE DARK. Bracket in title forewarns of French experimental animation and accordion soundtrack.


22. PICK ME UP. Dueling psychopaths beats odds by coming off as extremely dull.

23. PLAGUE OF THE ZOMBIES. Reanimated corpses satisfied with new careers as coal miners.

24. DEMON LOVER DIARY. Horror movie film shoot goes awry; actual shooting commences.

25. NIGHT OF THE BLOODBEAST. Warning: despite cute name, Bloodbeast is not especially cute.

26. BASKET CASE. Tiny mutant sibling lives in basket, steals panties, trashes hotel room, kills, etc.


27. WHO CAN KILL A CHILD? Unsettling, intelligent film proves itself resistant to one-sentence parody.

28. GIRLY. Pouty-faced teen begins to doubt career choice of “flippant maniac.”

29. THE SENTINEL. Ava Gardner, Burgess Meredith, Christopher Walken, Jeff Goldblum try to save Exorcist clone, do not.

30. THE CORPSE VANISHES. Bela Lugosi acts confused about who he’s supposed to what now?

31. THE DEVIL’S BRIDE. Fun with pentagrams.